Not long ago , the outstanding claims of a film producer that punk image exhibiting " bad " for Indonesia because the film clearly showed that excessive force is actually not in accordance with the republic . For me , this statement made without thinking . Before discussing the case of violence , we need to know that in the narrative, it is not fully representative of Indonesian punk as a social entity . From the beginning of the film punk alone , we can know that Rama does not represent , nor be a metaphor for anything in Indonesia as a system . Is a punk show and personal impingement Rama as an individual who desires his subconscious is too strong to conquer it . Indeed, almost all the actors in this film are Indonesian , but is there because of global capital flows that too in style pervades this film . If we suppose that the film Redemption as a conscious thought , it is exactly like the movie punk drunk .
Punk is intoxicated by global capital that goes too deep into his style. Not once we created two styles exasperated by Arifin Putra is too resemble South Korean actor Lee Byung-hun in several films. Not to mention the magnificent ballroom where Uco and Bejo are not met can not be reminiscent of a similar place in the Korean gangster film A Bittersweet Life. Do not forget the use of classical music in the punk who had once worn in crowded scenes in gangster films and thrillers Japan and Korea. More than that, gimmicks used by the character was more like a movie than a comic book movie adaptation conscious action space. Consider the character of Hammer Girl (Julie Estelle) and Baseball Bat Man (Very Tri Yulisman) who came out of nowhere, a sudden bend (sorry, I mean, punching holes in the head) those that are around with their guns also unclear what it means. Everything is style.
It must be realized that unlike Redemption, punk made for foreign audiences. The Euro-American audience is excited about the spectacle of this segarang especially from abroad, just as they pleased when they found a wide filmmaker Takashi Miike. All violence is made redundant and flowery so it does not reveal anything except violence. On this basis, Jakarta in the film was also made drunk. There are snowed set in chicken noodle carts when Prakoso (Yayan Ruhian) died. There are high speed trains such as carrying Hammer Girl when bulldoze his enemies. There are guns in the middle of the day free to roam in Jalan Antasari. Large capital flows that underlie the making punk style is also influential in getting those swanky but away from the earth towards the clouds.
Punk watch instantly reminds me of the late Paul Willemen writing , that no style movie made just to show off that the filmmakers were able to do so . Transformers the movie sort of an example highlighted by Willemen . In the film , computer sophistication care director Michael Bay really amazing . But on reflection , what it means ? Everything in the movie was made just to say that they were able to make it . A bourgeois conceit . As with films like A Clockwork Orange , a film in which all violence is the result of a frightening reversal of viewpoint about the condition of English society of his time kiwari . Alex Delarge Saxon protagonist is an ultra - violent rape of women , a racist , but at the same time fond of Beethoven and often humming a song from the movie Singin ' in the Rain . Building menasbihkan violence in this film as Alex Delarge figure " cultured monster " who became patrons totalitarian state . The violence in this movie is aesthetic because he was talking about the dynamics of space and life behind it .
Punk flavor-it's closer to the first example . There is a kind of statement that this is an action film made great capital . Impact falls on the astounding choreography berteknis . Terrific , is not playing , amboi , cool . But on second thought , what it means other than that they were able to show off their technical designing ?
Through this kind of awareness , is an act dumb if someone tries to reflect on punk as they reflect on the Redemption . Scamp made not to answer anything in Indonesia , nor to represent anything in Indonesia . Everything that exists in the global capital is a dance punk , the dance of the global capital , combined with skilled people who coached this movie . Redemption allows us to reflect on life here and now , he deserves to be called the aesthetics of the film in the frame . As with the punk look in the mirror process that does not allow it . The reason is simple , this film was at the level of technical skills alone .
Punk is intoxicated by global capital that goes too deep into his style. Not once we created two styles exasperated by Arifin Putra is too resemble South Korean actor Lee Byung-hun in several films. Not to mention the magnificent ballroom where Uco and Bejo are not met can not be reminiscent of a similar place in the Korean gangster film A Bittersweet Life. Do not forget the use of classical music in the punk who had once worn in crowded scenes in gangster films and thrillers Japan and Korea. More than that, gimmicks used by the character was more like a movie than a comic book movie adaptation conscious action space. Consider the character of Hammer Girl (Julie Estelle) and Baseball Bat Man (Very Tri Yulisman) who came out of nowhere, a sudden bend (sorry, I mean, punching holes in the head) those that are around with their guns also unclear what it means. Everything is style.
It must be realized that unlike Redemption, punk made for foreign audiences. The Euro-American audience is excited about the spectacle of this segarang especially from abroad, just as they pleased when they found a wide filmmaker Takashi Miike. All violence is made redundant and flowery so it does not reveal anything except violence. On this basis, Jakarta in the film was also made drunk. There are snowed set in chicken noodle carts when Prakoso (Yayan Ruhian) died. There are high speed trains such as carrying Hammer Girl when bulldoze his enemies. There are guns in the middle of the day free to roam in Jalan Antasari. Large capital flows that underlie the making punk style is also influential in getting those swanky but away from the earth towards the clouds.
Punk watch instantly reminds me of the late Paul Willemen writing , that no style movie made just to show off that the filmmakers were able to do so . Transformers the movie sort of an example highlighted by Willemen . In the film , computer sophistication care director Michael Bay really amazing . But on reflection , what it means ? Everything in the movie was made just to say that they were able to make it . A bourgeois conceit . As with films like A Clockwork Orange , a film in which all violence is the result of a frightening reversal of viewpoint about the condition of English society of his time kiwari . Alex Delarge Saxon protagonist is an ultra - violent rape of women , a racist , but at the same time fond of Beethoven and often humming a song from the movie Singin ' in the Rain . Building menasbihkan violence in this film as Alex Delarge figure " cultured monster " who became patrons totalitarian state . The violence in this movie is aesthetic because he was talking about the dynamics of space and life behind it .
Punk flavor-it's closer to the first example . There is a kind of statement that this is an action film made great capital . Impact falls on the astounding choreography berteknis . Terrific , is not playing , amboi , cool . But on second thought , what it means other than that they were able to show off their technical designing ?
Through this kind of awareness , is an act dumb if someone tries to reflect on punk as they reflect on the Redemption . Scamp made not to answer anything in Indonesia , nor to represent anything in Indonesia . Everything that exists in the global capital is a dance punk , the dance of the global capital , combined with skilled people who coached this movie . Redemption allows us to reflect on life here and now , he deserves to be called the aesthetics of the film in the frame . As with the punk look in the mirror process that does not allow it . The reason is simple , this film was at the level of technical skills alone .